If now, leaving the empirical combination of objects, we ask how the mind proceeds rationally to connect them, we find selection again to be omnipotent. In a future chapter we shall see that all Reasoning depends on the ability of the mind to break up the totality of the phenomenon reasoned about, into parts, and to pick out from among these the particular one which, in the given emergency, may lead to the proper conclusion. The man of genius is he who will always stick in his bill at the right point, and bring it out with the right element— ‘reason’ if the emergency be theoretical, ‘means’ if it be practical — transfixed upon it. If now we pass to the æsthetic department, our law is still more obvious. The artist notoriously selects his items, rejecting all tones, colors, shapes, which do not harmonize with each other and with the main purpose of his work. That unity, harmony, ‘convergence of characters,’ as M.
Citable passage
Psychology (Briefer Course)
William James. Psychology (Briefer Course). 1892.
Citation
William James. Psychology (Briefer Course). 1892. Premodern Concordance passage passage-d1621a0a1079de704c92.