The man of genius is he who will always stick in his bill at the right point, and bring it out with the right element — ‘reason’ if the emergency be theoretical, ‘means’ if it be practical — transfixed upon it. I here confine myself to this brief statement, but it may suffice to show that Reasoning is but another form of the selective activity of the mind. If now we pass to its æsthetic department, our law is still more obvious. The artist notoriously selects his items, rejecting all tones, colors, shapes, which do not harmonize with each other and with the main purpose of his work. That unity, harmony, ‘convergence of characters,’ as M. Taine calls it, which gives to works of art their superiority over works of nature, is wholly due to elimination. Any natural subject will do, if the artist has wit enough to pounce upon some one feature of it as characteristic, and suppress all merely accidental items which do not harmonize with this.
Citable passage
The Principles of Psychology
William James. The Principles of Psychology. 1890.
Citation
William James. The Principles of Psychology. 1890. Premodern Concordance passage passage-70ebc27a9b760f4b0613.