Certainly we have no right after this to attribute to Swe- denborg an obscure or mystical conception of nature. Nature bears the same servile relation to the spiritual creation that a man's body bears to his soul, that the material of a house bears to the house itself, or that the substance of a statue bears to its form, namely, a merely quantifying, by no means a qualifving, relation. It fills out the spiritual creation, substantiates it, gives it subjective anchorage, fixity, or identification, incorpo- rates it, in a word, just as the marble incorporates the statue. For the statue is primarily an ideal form, affiliating itself to the artist's genius exclusively, and is only derivatively thence f a material existence. So I primarily am a spiritual form, that is to say, a form of affection and thought, directly affiliated to the creative love and wisdom; and what my body does is 26 THE SECEET OF SWEDENBOKG.
Citable passage
The Secret of Swedenborg
Henry James Sr.. The Secret of Swedenborg. 1869.
Citation
Henry James Sr.. The Secret of Swedenborg. 1869. Premodern Concordance passage passage-124d1da2a71fb4dfad07.